Just the instrument and the room. Camille's solo recitals move through taqāsīm, improvised explorations of a maqām, and classical and contemporary Arabic pieces on qānūn and nāy. Intimate and responsive, scaled from a salon to a concert hall.
These sets also fold into duo and collaborative formats and into studio sessions, including his featured playing on Christopher Tin's Grammy-nominated Old World.
Line-up
Camille alone, on qānūn and nāy.
Sets
A short set or a full recital: taqāsīm, classical and contemporary pieces.
Unamplified in small rooms, one or two mics elsewhere. No backline needed.
Gallery
Past events
Watch & listen
One crew, several bands
Several of these projects share the same core musicians, and Camille plays in all of them. For festivals and venues that makes it easy, and cost-effective, to book two or three of these ensembles for a single event or weekend: one travelling crew, several distinct shows.
